Anita killed one of Edward’s backups – which means she owes him a favour and he has finally called to collect. Or his alter ego has – reassuring Anita that what he wants in New Mexico is nice and legal. And a holiday away from her love life is probably not a bad idea.
Little did she imagine she’d be plunged into Edwards and that the cold, lethal assassin has a fiancée and she has 2 children – all of which have no idea about the man she’s going to marry.
And while the job may be legal – it’s brutal. Dozens of people have been killed or mutilated – and the deaths are some of the worst Anita has ever seen. Worse, it’s been done in a way neither she nor Edward’s erstwhile and experienced back up have ever seen.
Anita has to find and stop the murderer even as the death toll rises. That means facing Aztec gods, a fellow necromancer, ancient vampires and a prejudiced police force – even before she gets to the monster itself, which can feel her looking for it, and is watching her.
The writing style of this book – indeed of this series – walks that line between being evocative, setting the scene and having that fun, snarky, hard boiled internal narrative that I so love and being extremely over descriptive, pointless and dull. Since this book is set apart from her lovers, it pulls it back and goes back to earlier books where it is more for setting scene, theme and mood, rather than us enjoying 20 pages describing just how blue Jean-Claude’s very blue eyes are.
And it really does convey the sense of place. It’s one of those books where you’re nearly sure the author must have spent some time in the location in question because they seem to know it. There’s such a realness to the scene and the area that you rarely get from second hand accounts.